FEBRUARY 10, 2020 – first united methodist CHURCH

“He (Beilman) has become an artist of firm ideas expressed with great polish.”

The Philadelphia Inquirer

” A real poet of the piano . . . “

BBC Radio 3

“Poised and Monstrously Talented.”

The Philadelphia Inquirer

“Mightily Impressive”

Washington Post


BEETHOVEN Sonata in E-flat Major, Op. 12, No. 3

  • Allegro con spirito
  • Adagio con molta espressione
  • Rondo: Allegro molto

STRAVINSKY Suite italienne

  • Introduzione
  • Serenata
  • Tarantella
  • Gavotta con due variazioni
  • Scherzino
  • Minuetto e finale

DEBUSSY Sonata in G minor

  • Allegro vivo
  • Intermède: Fantasque et léger
  • Finale: Très animé

SAINT SAENS Sonata No. 1 in D minor, Op. 75

  • Allegro agitato
  • Adagio
  • Allegretto moderato
  • Allegro molto



Benjamin Beilman has won praise both for his passionate performances and deep rich tone which the Washington Post called “mightily impressive,” and The New York Times described as “muscular with a glint of violence.” The Times has also praised his “handsome technique, burnished sound, and quiet confidence,” and the Strad described his playing as “pure poetry.” In a 2018 feature in The Boston Globe, David Weininger remarked that Beilman’s “playing already has its own sure balance of technical command, intensity, and interpretive finesse.”

In the 2017-18 season, Beilman appeared as a soloist with the Detroit, Houston, Oregon, North Carolina and Indianapolis Symphonies and Orchestra St. Luke’s.  He also did a multi-city tour of California with the New Century Chamber Orchestra in a program which he both programmed and play-directed. Abroad, Beilman made his Australian concerto debut with the Sydney Symphony, and debuted with the Scottish Chamber Orchestra and Trondheim Symphony.

In the spring of 2018, Benjamin Beilman and pianist Orion Weiss premiered Demons, a new sonata written for the pair by Frederic Rzewski, and commissioned by Music Accord. Beilman and Weiss performed the work, which is dedicated to the political activist Angela Davis on recital programs presented by the Boston Celebrity Series, Shriver Hall Concert Series, Parlance Chamber Music, Gilmore Festival and Grand Teton Music Festival. Beilman and Weiss will continue to perform the work in recital during the 2018-19 season at Lincoln Center, Kennedy Center and Spivey Hall. Beilman will also perform the European premiere of Demonsat the Heidelberg Spring Festival and on his return to Wigmore Hall in London.  Beilman will also appear in recital at Philadelphia’s Perelman Theater and at Carnegie Hall with pianist Jeremy Denk and in New York and on tour with the Chamber Music Society of Lincoln Center.

In 2018-19 Beilman will play-direct the Vancouver Symphony, make his debut at the Philharmonie in Cologne with Ensemble Resonanz, perform Four Seasonswith the Cincinnati Symphony and Richard Egarr, return to the City of Birmingham Symphony, and debut with the Royal Scottish National Orchestra. Beilman will perform concertos by Brahms, Bernstein, Prokofiev and Higdon, among others in orchestral engagements with the Berkeley, Greenville and Portland Symphonies; Rhode Island and Colorado Springs Philharmonic; along with the Bruckner Orchestra Linz, Iceland Symphony and Nagoya Philharmonic in Japan.

Beilman garnered worldwide attention following his First Prize wins in the 2010 Young Concert Artists International Auditions –where he was also recipient of YCA’s Helen Armstrong Violin Fellowship and a People’s Choice Award –and the 2010 Montréal International Musical Competition. He went on to receive prestigious accolades including a Borletti-Buitoni Trust Fellowship, an Avery Fisher Career Grant and a London Music Masters Award and an exclusive recording contract with Warner Classics. Beilman released his first disc for the label in 2016, titled Spectrum and featuring works by Stravinsky, Janáček and Schubert. In its review of the album, All Music Guidewrote, “This is a young violinist to watch, one who has already mastered many styles and is working toward breakthroughs of his own.”

Beilman began playing violin at the age of five and went on to study with Almita and Roland Vamos at the Music Institute of Chicago, Ida Kavafian and Pamela Frank at the Curtis Institute of Music, and Christian Tetzlaff at the Kronberg Academy.

He plays the “Engleman” Stradivarius from 1709 generously on loan from the Nippon Music Foundation.

Hailed by BBC Radio 3 as “a real poet of the piano,” Andrew Tyson is emerging as a distinctive and important new musical voice. In summer 2015, he was awarded First Prize at the Géza Anda Competition in Zürich, as well as the Mozart and Audience Prizes. These victories have resulted in numerous performances throughout Europe under the auspices of the Géza Anda Foundation.

Andrew is a laureate of the Leeds International Piano Competition where he won the new Terence Judd-Hallé Orchestra Prize, awarded by the orchestra and conductor Sir Mark Elder. Enjoying an ongoing relationship with the orchestra Andrew joined them again last season for several performances.  With concerto performances taking him across North America and Europe, Andrew has performed with orchestras from the North Carolina Symphony and the Orchestra of St. Luke’s at Alice Tully Hall, to the SWR Symphony Orchestra Stuttgart, Musikkollegium Winterthur and the National Orchestra of Belgium under Marin Alsop.   Highlights this season include his Wiener Konzerthaus debut with the Haydn Philharmonic Orchestra and a performance of Chopin’s Piano Concerto No. 2 with the Orchestra della Svizzera italiana under the baton of Vladimir Ashkenazy.

Recital appearances include major cities across the US and Europe at venues such as Brussels Palais des Beaux-Arts, New York’s Carnegie Hall and the Zürich Tonhalle. In addition to his debut in Hong Kong, this season sees Andrew in recital at Piano aux Jacobins Toulouse, the SWR2 Mainz, the Palace of Arts Budapest and Lyon’s Salle Molière amongst others.  No stranger to the festival scene, Andrew’s previous performances include the Lincoln Center’s Mostly Mozart Festival, the Lucerne Piano Festival and the Dubrovnik Festival. He appears this season at the Festival Septembre Musical in Montreux and the Miami International Piano Festival.

As a chamber musician, Andrew regularly appears in recital with violinist Benjamin Beilman in venues including the Auditorium du Louvre, Paris and London’s Wigmore Hall.  Last season saw them give a world premiere for violin and piano by Jane Stanley on a major recital tour of Australia, as well as a performance at the Heidelberger Frühling Festival.

Andrew’s two recital discs have been issued on the Alpha Classics label. His debut disc comprises the complete Chopin Preludes whilst his second album released in March 2017 features works by Scriabin and Ravel.

As winner of the Young Concert Artists International Auditions in 2011, Tyson was awarded YCA’s Paul A. Fish Memorial Prize and the John Browning Memorial Prize. After early studies with Thomas Otten, he attended the Curtis Institute of Music where he worked with Claude Frank. Studying with Robert McDonald Andrew later earned his Master’s degree and Artist Diploma at The Juilliard School, winning the Gina Bachauer Piano Competition and receiving the Arthur Rubinstein Prize in Piano.