MARCH 9, 2020 – FIRST UNITED METHODIST CHURCH
“Throughout, the Miró Quartet played with explosive vigor and technical finesse.”
“…the performance had the audience spellbound.” (Miró Quartet)
“The performance left the audience in stunned silence.” (Miró Quartet)
“Greensmith revealed an almost vocal quality to his playing, which brought an extra measure of interest to an instrument that can often be subsumed in a trio setting.”
Boccherini: Musica notturna delle strade di Madrid, Opus 30 No. 6 (Night Music of the Streets of Madrid)
- Le campane de l’Ave Maria – The Ave Maria Bell
- Il tamburo dei Soldati – The Soldiers’ drum
- Minuetto dei Ciechi – The Minuet of the Blind Beggars
- Il Rosario (Largo assai, allegro, largo come prima) – The
- Rosary Passa Calle (Allegro vivo) – The Passacaglia of the Street Singers
- Il tamburo – The drum
- Ritirata (Maestoso) – The retreat of the Madrid military
Beethoven: String Quartet No. 11 in F minor, Opus 95. “Serioso”
- Allegro con brio
- Allegretto ma non troppo
- Allegro assai vivace ma serioso
- Larghetto espressivo, Allegretto agitato, Allegro
Schubert: String Quintet in C major, D. 956
- Allegro ma non troppo
- Scherzo. Presto – Trio. Andante sostenuto
DANIEL CHING, Violin; WILLIAM FEDKENHEUER, Violin; JOHN LARGESS, Viola, JOSHUA GINDELE, Cello
The Miró Quartet is one of America’s most celebrated and dedicated string quartets, having been labeled by The New Yorker as “furiously committed” and noted by the Cleveland Plain-Dealer for their “exceptional tonal focus and interpretive intensity.” For the past twenty years they have performed throughout the world on the most prestigious concert stages, earning accolades from passionate critics and audiences alike. Based in Austin, TX, and thriving on the area’s storied music scene, the Miró takes pride in finding new ways to communicate with audiences of all backgrounds while cultivating the longstanding tradition of chamber music. Highlights of recent seasons include a highly anticipated and sold-out return to Carnegie Hall to perform Beethoven’s Opus 59 quartets; a performance at the Saratoga Performing Arts Center as part of the Chamber Music Society of Lincoln Center’s inaugural residency; the world premiere of a new concerto for string quartet and orchestra by Pulitzer Prize-winning composer Kevin Puts; performances of the complete Beethoven Cycle at the Orcas Island Chamber Music Festival and at Tokyo’s Suntory Hall; and debuts in 2014-15 in Korea, Singapore, and at the Hong Kong International Chamber Music Festival.
The Quartet’s 2016-17 season features collaborations with David Shifrin, Martin Beaver, Clive Greensmith, Andre Watts, and Wu Han; a performance of the complete Beethoven cycle in just nine days for Chamber Music Tulsa; and a much-anticipated return to Carnegie Hall. During its 2015-16 season, the Quartet returned to the Chamber Music Society of Lincoln Center, performing Beethoven in Alice Tully Hall and the complete cycle of Ginastera’s quartets at the Rose Studio; and performed a late-Schubert quartet cycle for the prestigious Slee Series in Buffalo, NY. A favorite of summer chamber music festivals, the Miró Quartet has recently performed at La Jolla Music Society’s SummerFest, Chamber Music Northwest, the Santa Fe Chamber Music Festival, OK Mozart, and Music@Menlo. The Miró regularly collaborates with pianist Jon Kimura Parker, percussionist Colin Currie, and mezzo-soprano Sasha Cooke. Formed in 1995, the Miró Quartet was awarded first prize at several national and international competitions including the Banff International String Quartet Competition and the Naumburg Chamber Music Competition. Deeply committed to music education, members of the Quartet have given master classes at universities and conservatories throughout the world, and since 2003 the Miró has served as the quartet-in-residence at the University of Texas at Austin Sarah and Ernest Butler School of Music. In 2005, the Quartet became the first ensemble ever to be awarded the coveted Avery Fisher Career Grant.
Having released nine celebrated recordings, the Miró recently produced an Emmy Award-winning multimedia project titled Transcendence. A work with visual and audio elements available on live stream, CD, and Blu-ray, Transcendence encompasses philanthropy and documentary filmmaking and is centered around a performance of Franz Schubert’s Quartet in G major on rare Stradivarius instruments. The Miró records independently and makes its music available on a global scale through Apple Music, Amazon, Spotify, Pandora, and YouTube. The Miró Quartet took its name and its inspiration from the Spanish artist Joan Miró, whose Surrealist works — with subject matter drawn from the realm of memory, dreams, and imaginative fantasy — are some of the most groundbreaking, influential, and admired of the 20th century.
From 1999 until its final season in 2013, Clive Greensmith was a member of the world-renowned Tokyo String Quartet, giving over one hundred performances each year in the most prestigious international venues, including New York’s Carnegie Hall, Sydney Opera House, London’s South Bank, Paris Chatelet, Berlin Philharmonie, Vienna Musikverein, and Suntory Hall in Tokyo. He has collaborated with international artists such as Andras Schiff, Pinchas Zukerman, Leon Fleisher, Lynn Harrell, Dmitry Sitkovetsky, Alicia de Larrocha, and Emanuel Ax.
Mr. Greensmith has given guest performances at prominent festivals worldwide. In North America he has performed at the Aspen Music Festival, Marlboro Music Festival, Music@Menlo, La Jolla SummerFest, Santa Fe Chamber Music Festival, Cleveland Chamber Fest, and the Ravinia Festival. He is a regular guest of the Chamber Music Society of Lincoln Center and will undertake a national tour with Paul Huang, Wu Han, and Matthew Lipman in 2020. Internationally he has appeared at the Salzburg Festival in Austria, Edinburgh Festival in Scotland, Pacific Music Festival in Japan and the Hong Kong Arts Festival. As a soloist, Clive Greensmith has performed with the London Symphony Orchestra, Royal Philharmonic Orchestra, Seoul Philharmonic, and the RAI Orchestra of Rome among others.
During a career spanning over twenty-five years, Mr. Greensmith has built up a catalog of landmark recordings, most notably The Complete Beethoven String Quartets for Harmonia Mundi with the Tokyo String Quartet, Mozart’s ‘Prussian’ Quartets with the Tokyo String Quartet, Brahms Cello Sonatas with Boris Berman for Biddulph Recordings, and Clarinet Trios of Beethoven and Brahms with Jon Nakamatsu and Jon Manasse for Harmonia Mundi. Toccata Classics will release a live recording of his world premiere performance of the Pál Hermann Cello Concerto with Theodore Kuchar and the Lviv International Symphony Orchestra in the spring of 2019.
Mr. Greensmith studied at the Royal Northern College of Music in England with American cellist, Donald McCall, where he was the recipient of the prestigious Julius Isserlis Scholarship. He continued his studies at the Cologne Musikhochschule in Germany with Russian cellist Boris Pergamenschikow.
In 1987, he made his concerto debut with the London Symphony Orchestra and went on to be first prize winner in the Sergio Lorenzi chamber music competition in Trieste, Italy, and first prize winner in the Caltanissetta Duo competition. Most notably, he was a major prizewinner in the first ever “Premio Stradivari” held in Cremona, Italy in 1991.
Deeply committed to the mentoring and development of young musicians, Clive has enjoyed a long and distinguished teaching career. In addition to his fifteen-year residency with the Tokyo String Quartet at Yale University, Mr. Greensmith has served as a faculty member at the Yehudi Menuhin School and Royal Northern College of Music in England, the San Francisco Conservatory of Music and the Manhattan School of Music. In 2013, following the final concerts of the Tokyo String Quartet, Mr. Greensmith joined the faculty at the Colburn School where he teaches cello and coaches chamber music for the Conservatory of Music and the Music Academy. Students of Mr. Greensmith have gone on to secure major positions in orchestras throughout the world and have won a number of prestigious awards. In July 2019, he will succeed Günther Pichler as director of string chamber music at the Accademia Chigiana International Festival and Summer Academy in Siena.
Formerly the principal cellist of London’s Royal Philharmonic Orchestra, Mr. Greensmith is a founding member of the Montrose Trio with pianist Jon Kimura Parker, and violinist Martin Beaver.